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Pirelli Calendar |
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The Pirelli Calendar dates back to 1964 when the Marketing Department of Pirelli Ltd in the UK decided to issue a Calendar for their top U.K. customers as a gift for the closing year. In fact the Pirelli Calendar project had been born one year earlier, in 1963 with Terence Donovan, but had not met the approval of Pirelli's managers. However for 1964 the pictures were so beautiful that the new calendar was released for distribution and the success on the media was immediate. Over a period of more than 30 years the Pirelli Calendars have shaken the media world with their audacity, innovation and spectacular imagery. The Calendar was very much a product of the cultural revolution which inspired a new sensuality, a new appreciation of the female form and, above all, an urgent need to break taboos. In the sixties a tidal wave of creative energy swept through rock music, fashion, films and photography, and the stuffiness and austerity of post-war London quickly surrendered to a new vitality which turned the city into the style capital of the world. At the same time a tyre manufacturer with a foreign name shot to fame outside Italy with an annual PR extravaganza which became coveted by students, cabinet ministers, royalties and superstars alike. An idea of creative genius became a printed icon for each year, spawned many inferior imitations and stretched the parameters of sensual fantasy and fabulous photography. The Pirelli Calendar has redefined the rules of glamorous photography; by tradition calendars were hung on garage walls - now they hang in museums, and Pirelli have gone on redefining those rules year after year. Its twelve leaves were - and still are - awaited with enthusiastic anticipation. The aim of the Calendar is to produce through the photographer's creativity a theme and a set of pictures of high artistic level: its exclusivity was planned and carefully maintained by Pirelli. The Photographers and Locations |
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